Sag mir, was ich gestehen soll

"Intellectually stimulating and teasingly funny art of our time."

"This three-hour, precisely timed sound structure is a confusing, constantly moving deconstruction of language, voice and sound. […] The bizarre fascination that the spectacle has created will not get out of your head so quickly."

"Voice Box was full of tongue in cheek [...] that allowed the audience to fully join in."

"The avant-garde business trip to the green creates a situational border experience with a feel-good program."

"The audience […] experiences an masterfull musical performance, which is then deconstructed in an irritating sequence of events at different locations in a deliberately bizarre manner."

"Delightful and playful experimental opera from young Finnish composer"

"The most enthusiastic reception got 'ettette' by Miika Hyytiäinen"

"Genuinely avantgardistic German music theatre."

"Ohrenvergnügendes Tafelkonfekt"

"Musically the performance is excellent."

"Miika Hyytiäinen has composed the score which is full of rich elements."

Sag mir, was ich gestehen soll is a monodrama about witch hunts as a historical and political metaphor for the patriarchate’s violence. It is based on Silvia Federici’s book Caliban and the Witch.

Sag mir, was ich gestehen soll combines acoustic voice and electronic music and is even composed as a collaboration of two composers, Amanda Martikainen and Miika Hyytiäinen.

The premiere of Sag mir, was ich gestehen soll will be in Berlin in spring 2025.

Artistic team:

Composers: Martikainen and Hyytiäinen

Voice: Henrike Henoch

Piano, toy piano: Fidan Aghayeva Edler

Director: Elli Neubert

Stage concept: Anni Tritschler

Copyrights of the photos: Anni Tritschler, Sofia Pinto

The project is supported by:

Other projects:

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