"Intellectually stimulating and teasingly funny art of our time."
Auli Särkiö-Pitkänen
Auli Särkiö-Pitkänen in Rondo on Voice Box
"This three-hour, precisely timed sound structure is a confusing, constantly moving deconstruction of language, voice and sound. […] The bizarre fascination that the spectacle has created will not get out of your head so quickly."
Vroni Silberg
Vroni Silberg in M.94,5 on NOS
"Voice Box was full of tongue in cheek [...] that allowed the audience to fully join in."
Auli Särkiö-Pitkänen
Auli Särkiö-Pitkänen in Rondo on Voice Box
"The avant-garde business trip to the green creates a situational border experience with a feel-good program."
Anna Schürmer
Anna Schürmer in Neue Musikzeitung on NOS
"The audience […] experiences an masterfull musical performance, which is then deconstructed in an irritating sequence of events at different locations in a deliberately bizarre manner."
Jörn Peter Hiekel
Jörn Peter Hiekel in die Deutsche Bühne on NOS
"Delightful and playful experimental opera from young Finnish composer"
Hilary Glover
Hilary Glover in Planet Hughill on Aikainen
"The most enthusiastic reception got 'ettette' by Miika Hyytiäinen"
Hannu-Ilari Lampila
Hannu-Ilari Lampila HS on ettette
"Genuinely avantgardistic German music theatre."
Kare Eskola
Kare EskolaYLE on Hipstercredo
"Ohrenvergnügendes Tafelkonfekt"
Lauri Otonkoski,
Lauri Otonkoski, HS on Madame Herz und Herr M.
"Musically the performance is excellent."
Jukka Isopuro
Jukka Isopuro HS on Pierrot Lunaire und drei Schattenträume
"Miika Hyytiäinen has composed the score which is full of rich elements."
Hannu Björkbacka
Hannu Björkbacka

Mental Orders

Emma Kuntsi
Alice Belugou
Previous
Next

In classical opera, people go mad all the time but that is not the presentation that we need. Miika Hyytiäinen, Emma Kuntsi and Alice Belugou use experimental music theatre to show that our mental orders are in continuous flux – indeed, the order is just an illusion created by our brains. Every day we need a new strategy to live in this unordered thing we call reality. Voice, kantele and harp share some found and lived, public and personal experiences.

Emma Kuntsi

Alice  Belugou

Premiere: To be announced

Image copyright: Jimmy Träskelin

Supported by Sibelius Foundation by Finnish Composers

                       

Other projects:

Emote

Emote is a emotions for voice, percussion and video.

"Intellectually stimulating and teasingly funny art of our time."
Auli Särkiö-Pitkänen
Auli Särkiö-Pitkänen in Rondo on Voice Box
"This three-hour, precisely timed sound structure is a confusing, constantly moving deconstruction of language, voice and sound. […] The bizarre fascination that the spectacle has created will not get out of your head so quickly."
Vroni Silberg
Vroni Silberg in M.94,5 on NOS
"Voice Box was full of tongue in cheek [...] that allowed the audience to fully join in."
Auli Särkiö-Pitkänen
Auli Särkiö-Pitkänen in Rondo on Voice Box
"The avant-garde business trip to the green creates a situational border experience with a feel-good program."
Anna Schürmer
Anna Schürmer in Neue Musikzeitung on NOS
"The audience […] experiences an masterfull musical performance, which is then deconstructed in an irritating sequence of events at different locations in a deliberately bizarre manner."
Jörn Peter Hiekel
Jörn Peter Hiekel in die Deutsche Bühne on NOS
"Delightful and playful experimental opera from young Finnish composer"
Hilary Glover
Hilary Glover in Planet Hughill on Aikainen
"The most enthusiastic reception got 'ettette' by Miika Hyytiäinen"
Hannu-Ilari Lampila
Hannu-Ilari Lampila HS on ettette
"Genuinely avantgardistic German music theatre."
Kare Eskola
Kare EskolaYLE on Hipstercredo
"Ohrenvergnügendes Tafelkonfekt"
Lauri Otonkoski,
Lauri Otonkoski, HS on Madame Herz und Herr M.
"Musically the performance is excellent."
Jukka Isopuro
Jukka Isopuro HS on Pierrot Lunaire und drei Schattenträume
"Miika Hyytiäinen has composed the score which is full of rich elements."
Hannu Björkbacka
Hannu Björkbacka

 Miika Hyytiäinen

© 2024All rights reserved